International Motor Film Festival Awards

We were lucky enough to be nominated for an award for our work on the film ‘Attacking the Arctic Circle Raceway’ shot on location in Norway back in 2017 featuring motoring journalist Steve Sutcliffe and the iconic Ford GT.

Sadly this time we didn’t come away with an award being pipped at the post by The Grand Tour, a worthy winner.

Congratulations to everyone who won awards at the show!

We were also really pleased to be able to provide a display for the awards with one of our heavylift drone platforms being suspended above an F1 car in the lobby of the venue. We used our Kopterworx Hammer X8 and Movi Pro gimbal with a 6K Red Epic Carbon provided by CinePhoto Pro and a Cooke lens provided by Cooke themselves. It looked impressive with loads of people snapping away.


NEW Showreel - 'All The Way'

'All The Way'

Our new showreel piece incorporating a small but special selection of our work over the last three years.

Shot using a variety of different cameras and platforms including DJI Phantom 4 Pro, DJI Inspire 2 X5s and X7, Freefly Alta 8 and Kopterworx Hammer X8 with RED Epic 6k, RED Helium 8k, RED Weapon 8k, RED Gemini 5k and Arri Alexa Mini.

Cinematography by Fleye

Editing/Directing by Simon Mulvaney

Words 'Roll The Dice' by Charles Bukowski

Music 'We Wish It Was Never Light' by Ryan Taubert

A massive thank you to all our operators who work so hard around the world capturing stunning content for our clients. A massive thank you to all our clients who bring us to these incredible places and allow us to create.

Any questions? Get in touch:

Special permissions obtained by the CAA, our OSC.

Today was an exciting day at Fleye as it sees the introduction of our new operational safety case permissions or OSC issued by the Civil Aviation Authority.

Each permission is unique to the operator and we’re delighted to have 4 pilots on our permission. Under our OSC we’re able to fly our DJI Inspire 2 and Freefly Alta 8 drones at as little as 20 meters from people, vehicles, vessels or structures and just 10 meters for take off and landing meaning we can operate in more places and tighter environments than previously possible.

This special permission highlights Fleye’s commitment to an impeccable safety record and helps us gain even more compelling content for our clients.

For any questions relating to this special permission, please drop us an email to

We want to thank the CAA for working with us on this permission.


Have you got permission??

I’m fresh back from a trip to Dortmund in Germany, I have to say, not the most beautiful place I’ve ever been, especially when there’s no opportunity to leave the airport but I came back with more than I left with; a German drone operating license and a tummy full of pretzels!

The rules in Germany changed recently, it used to be the case that with a UK license, you could apply to fly your drone in Germany for commercial purposes on a temporary permit but this is no longer the case. We’ve got a couple of shoots in the diary and ever wanting to increase our license portfolio, we thought let’s head out there and get tested.

This means we’re now able to fly drones up to 25kg’s in weight for commercial purposes in Germany.

Did you also know that we’ve got permanant permissions in France, Spain, Norway, Italy and of course the UK and have flown in over 30 other countries worldwide?

If you need a specialist in international drone operations for your project then get in touch with us today! - 0114 2994333 -

Plastic shocker!

We're really pleased some of our recent work for VICE Impact has been launched.

In collaboration with Evian, VICE contacted us and asked us to film their new series of videos exploring circularity. Evian is a company aiming to be completely circular by 2025.

If you're not sure what circularity is, check out the link below to explore the documentaries we were a part of.

dji inspire 2 drone filming

We're starting to see The Macallan - at long last!

It's always exciting to see work come out that we've been a part of but when you've been working on the project for over 2 years, it's even more exciting!

On the 2nd June 2018, The Macallan will open the doors to it's brand new home. The new distillery is a huge £140 million pound development made out of more than 380,000 pieces and has one of the most complex roof structures in Europe.

PHIX London was the perfect production to make this beautiful project stand out.

Our first visit up the the Macallan was way back in November 2015 - back then there really wasn't a lot to look at! A concrete shell sat in the landscape mostly covered in snow from the bitterly cold Scottish winter. I think to date, it's still some of the coldest and worst weather I've ever flown in.

the macallan drone footage
drone filming scotland
drone filming scotland

This was so long ago, we were still filming with the S900 and Panasonic GH4, after seeing some of the content next to the RED Epic 6K footage it looks fantastic! With the right light this camera was pumping out some amazing shots. The HDMI converter in those old gimbals definitely didn't like the cold though... some will remember!

A few more visits took us through the winter of 2015/16. The mash ton went in and the walls went up.

Then we got the Freefly Alta opening up the door to RED Epic filming and starting our heavy lift capabilities. The first couple of trips with the Alta housed the GH4 camera still and we weaved the drone through the roof structure which looked stunning as it was being built.

drone filming scotland
drone team in scotland
drone filming team in scotland

Then something cool happened! We flew our first RED Epic 6K! And this was definitely the project to do it on, flying over the roof structure and watching the sun pop as we passed through the undulating mounds on the roof looked seriously cool.

We headed down to the barley fields and got some epic shots with a 14mm lens with the barley rushing past the camera and rising up to reveal the combine harvester working away in the field. The Spey River providing the perfect backdrop for these shots.

red epci drone filming scotland

We really started to get the hang of the RED Epic flying... visiting the Highlands quite a few more times and every time, flying much bigger and better lenses, figuring out how to fly the camera for longer, smoother. The results were getting seriously stunning.

We now pretty much exclusively fly the RED on our heavy lift drones, it provides us with such stunning images and for us, the camera body so perfectly integrates with our Freefly gimbal systems we use to stabilize them.

Here's a few more BTS shots for you to have a look at before you get to the finale.. one of the key pieces of content to come out of the trips which is below.

I hope you enjoy!

Ford Fiesta ST shoot - Italy

Well... writing this after my 5th time out to Italy this year makes me wonder whether it might be best to move our office out to Italy and start learning the language a bit better... much better in fact!

Shooting with Steve Sutcliffe creating one of my favourite series of video's, Europoe's Greatest Driving Roads always seems to be some of the most fun you could wish to have on a shoot. It's the perfect combination of fast cars, beautiful locations, great company and great toys!

This trip proved to be no different. Heading an hour outside of Rome straight off the back of our Roborace Formula E shoot (video to come shortly) we came to the via Campocatino, an 18km winding mountain road leading up to a ski resort which is virtually abandoned in the summer months and the perfect stomping ground for our latest toy, the all new Ford Fiesta ST.

For this shoot, the DJI Inspire 2 had to be the drone of choice, it's super fast, super nible, easy and quick to set up and doesn't need to be fully packed up to move half a mile down the road to the next shoot location. I think for all of these shoots moving forward, it's the perfect tool.
We also had the opportunity to mount a RED Epic onto our Movi Pro and Black Arm for some of the tracking shots. Tracking is something we're really starting to move into and we're super excited to see the results looking so good from this shoot. We'll update you further with some more content from this but there's a lot more to come!

For now though, have a look at the video below and do comment to give your feedback.

Until Friday Italy!



We've been working with London based production company Mr White on a series of videos for prime time TVC slots on National Geographic for automotive car brand Subaru and one of their outdoor do it all vehicles.

The series of videos aims to showcase the outdoor lifestyle of the typical Subaru car owner and shot the car as a go anywhere, do anything reliable workhorse!

Director: Matt Carroll
DOP: Matt Glen
Drone: Fleye
Set up: Freefly Alta 8 Drone - Movi Pro gimbal - Alexa Mini

Take a look of the 'long form' commercial below!